HAMLET ACT III SCENE I A room in the castle. [Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, and GUILDENSTERN] KING CLAUDIUS And can you, by no drift of circumstance, Get from him why he puts on this confusion, Grating so harshly all his days of quiet With turbulent and dangerous lunacy? ROSENCRANTZ He does confess he feels himself distracted; But from what cause he will by no means speak. GUILDENSTERN Nor do we find him forward to be sounded, But, with a crafty madness, keeps aloof, When we would bring him on to some confession Of his true state. QUEEN GERTRUDE Did he receive you well? ROSENCRANTZ Most like a gentleman. GUILDENSTERN But with much forcing of his disposition. ROSENCRANTZ Niggard of question; but, of our demands, Most free in his reply. QUEEN GERTRUDE Did you assay him? To any pastime? ROSENCRANTZ Madam, it so fell out, that certain players We o'er-raught on the way: of these we told him; And there did seem in him a kind of joy To hear of it: they are about the court, And, as I think, they have already order This night to play before him. LORD POLONIUS 'Tis most true: And he beseech'd me to entreat your majesties To hear and see the matter. KING CLAUDIUS With all my heart; and it doth much content me To hear him so inclined. Good gentlemen, give him a further edge, And drive his purpose on to these delights. ROSENCRANTZ We shall, my lord. [Exeunt ROSENCRANTZ and GUILDENSTERN] KING CLAUDIUS Sweet Gertrude, leave us too; For we have closely sent for Hamlet hither, That he, as 'twere by accident, may here Affront Ophelia: Her father and myself, lawful espials, Will so bestow ourselves that, seeing, unseen, We may of their encounter frankly judge, And gather by him, as he is behaved, If 't be the affliction of his love or no That thus he suffers for. QUEEN GERTRUDE I shall obey you. And for your part, Ophelia, I do wish That your good beauties be the happy cause Of Hamlet's wildness: so shall I hope your virtues Will bring him to his wonted way again, To both your honours. OPHELIA Madam, I wish it may. [Exit QUEEN GERTRUDE] LORD POLONIUS Ophelia, walk you here. Gracious, so please you, We will bestow ourselves. [To OPHELIA] Read on this book; That show of such an exercise may colour Your loneliness. We are oft to blame in this,-- 'Tis too much proved--that with devotion's visage And pious action we do sugar o'er The devil himself. KING CLAUDIUS [Aside] O, 'tis too true! How smart a lash that speech doth give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it Than is my deed to my most painted word: O heavy burthen! LORD POLONIUS I hear him coming: let's withdraw, my lord. [Exeunt KING CLAUDIUS and POLONIUS] [Enter HAMLET] HAMLET To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd. OPHELIA Good my lord, How does your honour for this many a day? HAMLET I humbly thank you; well, well, well. OPHELIA My lord, I have remembrances of yours, That I have longed long to re-deliver; I pray you, now receive them. HAMLET No, not I; I never gave you aught. OPHELIA My honour'd lord, you know right well you did; And, with them, words of so sweet breath composed As made the things more rich: their perfume lost, Take these again; for to the noble mind Rich gifts wax poor when givers prove unkind. There, my lord. HAMLET Ha, ha! are you honest? OPHELIA My lord? HAMLET Are you fair? OPHELIA What means your lordship? HAMLET That if you be honest and fair, your honesty should admit no discourse to your beauty. OPHELIA Could beauty, my lord, have better commerce than with honesty? HAMLET Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness: this was sometime a paradox, but now the time gives it proof. I did love you once. OPHELIA Indeed, my lord, you made me believe so. HAMLET You should not have believed me; for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not. OPHELIA I was the more deceived. HAMLET Get thee to a nunnery: why wouldst thou be a breeder of sinners? I am myself indifferent honest; but yet I could accuse me of such things that it were better my mother had not borne me: I am very proud, revengeful, ambitious, with more offences at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in. What should such fellows as I do crawling between earth and heaven? We are arrant knaves, all; believe none of us. Go thy ways to a nunnery. Where's your father? OPHELIA At home, my lord. HAMLET Let the doors be shut upon him, that he may play the fool no where but in's own house. Farewell. OPHELIA O, help him, you sweet heavens! HAMLET If thou dost marry, I'll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, go: farewell. Or, if thou wilt needs marry, marry a fool; for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell. OPHELIA O heavenly powers, restore him! HAMLET I have heard of your paintings too, well enough; God has given you one face, and you make yourselves another: you jig, you amble, and you lisp, and nick-name God's creatures, and make your wantonness your ignorance. Go to, I'll no more on't; it hath made me mad. I say, we will have no more marriages: those that are married already, all but one, shall live; the rest shall keep as they are. To a nunnery, go. [Exit] OPHELIA O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue, sword; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down! And I, of ladies most deject and wretched, That suck'd the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh; That unmatch'd form and feature of blown youth Blasted with ecstasy: O, woe is me, To have seen what I have seen, see what I see! [Re-enter KING CLAUDIUS and POLONIUS] KING CLAUDIUS Love! his affections do not that way tend; Nor what he spake, though it lack'd form a little, Was not like madness. There's something in his soul, O'er which his melancholy sits on brood; And I do doubt the hatch and the disclose Will be some danger: which for to prevent, I have in quick determination Thus set it down: he shall with speed to England, For the demand of our neglected tribute Haply the seas and countries different With variable objects shall expel This something-settled matter in his heart, Whereon his brains still beating puts him thus From fashion of himself. What think you on't? LORD POLONIUS It shall do well: but yet do I believe The origin and commencement of his grief Sprung from neglected love. How now, Ophelia! You need not tell us what Lord Hamlet said; We heard it all. My lord, do as you please; But, if you hold it fit, after the play Let his queen mother all alone entreat him To show his grief: let her be round with him; And I'll be placed, so please you, in the ear Of all their conference. If she find him not, To England send him, or confine him where Your wisdom best shall think. KING CLAUDIUS It shall be so: Madness in great ones must not unwatch'd go. [Exeunt] HAMLET ACT III SCENE II A hall in the castle. [Enter HAMLET and Players] HAMLET Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue: but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and, as I may say, the whirlwind of passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumbshows and noise: I would have such a fellow whipped for o'erdoing Termagant; it out-herods Herod: pray you, avoid it. First Player I warrant your honour. HAMLET Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special o'erstep not the modesty of nature: for any thing so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably. First Player I hope we have reformed that indifferently with us, sir. HAMLET O, reform it altogether. And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the play be then to be considered: that's villanous, and shows a most pitiful ambition in the fool that uses it. Go, make you ready. [Exeunt Players] [Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN] How now, my lord! I will the king hear this piece of work? LORD POLONIUS And the queen too, and that presently. HAMLET Bid the players make haste. [Exit POLONIUS] Will you two help to hasten them? ROSENCRANTZ | | We will, my lord. GUILDENSTERN | [Exeunt ROSENCRANTZ and GUILDENSTERN] HAMLET What ho! Horatio! [Enter HORATIO] HORATIO Here, sweet lord, at your service. HAMLET Horatio, thou art e'en as just a man As e'er my conversation coped withal. HORATIO O, my dear lord,-- HAMLET Nay, do not think I flatter; For what advancement may I hope from thee That no revenue hast but thy good spirits, To feed and clothe thee? Why should the poor be flatter'd? No, let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee Where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice And could of men distinguish, her election Hath seal'd thee for herself; for thou hast been As one, in suffering all, that suffers nothing, A man that fortune's buffets and rewards Hast ta'en with equal thanks: and blest are those Whose blood and judgment are so well commingled, That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.--Something too much of this.-- There is a play to-night before the king; One scene of it comes near the circumstance Which I have told thee of my father's death: I prithee, when thou seest that act afoot, Even with the very comment of thy soul Observe mine uncle: if his occulted guilt Do not itself unkennel in one speech, It is a damned ghost that we have seen, And my imaginations are as foul As Vulcan's stithy. Give him heedful note; For I mine eyes will rivet to his face, And after we will both our judgments join In censure of his seeming. HORATIO Well, my lord: If he steal aught the whilst this play is playing, And 'scape detecting, I will pay the theft. HAMLET They are coming to the play; I must be idle: Get you a place. [Danish march. A flourish. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others] KING CLAUDIUS How fares our cousin Hamlet? HAMLET Excellent, i' faith; of the chameleon's dish: I eat the air, promise-crammed: you cannot feed capons so. KING CLAUDIUS I have nothing with this answer, Hamlet; these words are not mine. HAMLET No, nor mine now. [To POLONIUS] My lord, you played once i' the university, you say? LORD POLONIUS That did I, my lord; and was accounted a good actor. HAMLET What did you enact? LORD POLONIUS I did enact Julius Caesar: I was killed i' the Capitol; Brutus killed me. HAMLET It was a brute part of him to kill so capital a calf there. Be the players ready? ROSENCRANTZ Ay, my lord; they stay upon your patience. QUEEN GERTRUDE Come hither, my dear Hamlet, sit by me. HAMLET No, good mother, here's metal more attractive. LORD POLONIUS [To KING CLAUDIUS] O, ho! do you mark that? HAMLET Lady, shall I lie in your lap? [Lying down at OPHELIA's feet] OPHELIA No, my lord. HAMLET I mean, my head upon your lap? OPHELIA Ay, my lord. HAMLET Do you think I meant country matters? OPHELIA I think nothing, my lord. HAMLET That's a fair thought to lie between maids' legs. OPHELIA What is, my lord? HAMLET Nothing. OPHELIA You are merry, my lord. HAMLET Who, I? OPHELIA Ay, my lord. HAMLET O God, your only jig-maker. What should a man do but be merry? for, look you, how cheerfully my mother looks, and my father died within these two hours. OPHELIA Nay, 'tis twice two months, my lord. HAMLET So long? Nay then, let the devil wear black, for I'll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there's hope a great man's memory may outlive his life half a year: but, by'r lady, he must build churches, then; or else shall he suffer not thinking on, with the hobby-horse, whose epitaph is 'For, O, for, O, the hobby-horse is forgot.' [Hautboys play. The dumb-show enters] [Enter a King and a Queen very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love] [Exeunt] OPHELIA What means this, my lord? HAMLET Marry, this is miching mallecho; it means mischief. OPHELIA Belike this show imports the argument of the play. [Enter Prologue] HAMLET We shall know by this fellow: the players cannot keep counsel; they'll tell all. OPHELIA Will he tell us what this show meant? HAMLET Ay, or any show that you'll show him: be not you ashamed to show, he'll not shame to tell you what it means. OPHELIA You are naught, you are naught: I'll mark the play. Prologue For us, and for our tragedy, Here stooping to your clemency, We beg your hearing patiently. [Exit] HAMLET Is this a prologue, or the posy of a ring? OPHELIA 'Tis brief, my lord. HAMLET As woman's love. [Enter two Players, King and Queen] Player King Full thirty times hath Phoebus' cart gone round Neptune's salt wash and Tellus' orbed ground, And thirty dozen moons with borrow'd sheen About the world have times twelve thirties been, Since love our hearts and Hymen did our hands Unite commutual in most sacred bands. Player Queen So many journeys may the sun and moon Make us again count o'er ere love be done! But, woe is me, you are so sick of late, So far from cheer and from your former state, That I distrust you. Yet, though I distrust, Discomfort you, my lord, it nothing must: For women's fear and love holds quantity; In neither aught, or in extremity. Now, what my love is, proof hath made you know; And as my love is sized, my fear is so: Where love is great, the littlest doubts are fear; Where little fears grow great, great love grows there. Player King 'Faith, I must leave thee, love, and shortly too; My operant powers their functions leave to do: And thou shalt live in this fair world behind, Honour'd, beloved; and haply one as kind For husband shalt thou-- Player Queen O, confound the rest! Such love must needs be treason in my breast: In second husband let me be accurst! None wed the second but who kill'd the first. HAMLET [Aside] Wormwood, wormwood. Player Queen The instances that second marriage move Are base respects of thrift, but none of love: A second time I kill my husband dead, When second husband kisses me in bed. Player King I do believe you think what now you speak; But what we do determine oft we break. Purpose is but the slave to memory, Of violent birth, but poor validity; Which now, like fruit unripe, sticks on the tree; But fall, unshaken, when they mellow be. Most necessary 'tis that we forget To pay ourselves what to ourselves is debt: What to ourselves in passion we propose, The passion ending, doth the purpose lose. The violence of either grief or joy Their own enactures with themselves destroy: Where joy most revels, grief doth most lament; Grief joys, joy grieves, on slender accident. This world is not for aye, nor 'tis not strange That even our loves should with our fortunes change; For 'tis a question left us yet to prove, Whether love lead fortune, or else fortune love. The great man down, you mark his favourite flies; The poor advanced makes friends of enemies. And hitherto doth love on fortune tend; For who not needs shall never lack a friend, And who in want a hollow friend doth try, Directly seasons him his enemy. But, orderly to end where I begun, Our wills and fates do so contrary run That our devices still are overthrown; Our thoughts are ours, their ends none of our own: So think thou wilt no second husband wed; But die thy thoughts when thy first lord is dead. Player Queen Nor earth to me give food, nor heaven light! Sport and repose lock from me day and night! To desperation turn my trust and hope! An anchor's cheer in prison be my scope! Each opposite that blanks the face of joy Meet what I would have well and it destroy! Both here and hence pursue me lasting strife, If, once a widow, ever I be wife! HAMLET If she should break it now! Player King 'Tis deeply sworn. Sweet, leave me here awhile; My spirits grow dull, and fain I would beguile The tedious day with sleep. [Sleeps] Player Queen Sleep rock thy brain, And never come mischance between us twain! [Exit] HAMLET Madam, how like you this play? QUEEN GERTRUDE The lady protests too much, methinks. HAMLET O, but she'll keep her word. KING CLAUDIUS Have you heard the argument? Is there no offence in 't? HAMLET No, no, they do but jest, poison in jest; no offence i' the world. KING CLAUDIUS What do you call the play? HAMLET The Mouse-trap. Marry, how? Tropically. This play is the image of a murder done in Vienna: Gonzago is the duke's name; his wife, Baptista: you shall see anon; 'tis a knavish piece of work: but what o' that? your majesty and we that have free souls, it touches us not: let the galled jade wince, our withers are unwrung. [Enter LUCIANUS] This is one Lucianus, nephew to the king. OPHELIA You are as good as a chorus, my lord. HAMLET I could interpret between you and your love, if I could see the puppets dallying. OPHELIA You are keen, my lord, you are keen. HAMLET It would cost you a groaning to take off my edge. OPHELIA Still better, and worse. HAMLET So you must take your husbands. Begin, murderer; pox, leave thy damnable faces, and begin. Come: 'the croaking raven doth bellow for revenge.' LUCIANUS Thoughts black, hands apt, drugs fit, and time agreeing; Confederate season, else no creature seeing; Thou mixture rank, of midnight weeds collected, With Hecate's ban thrice blasted, thrice infected, Thy natural magic and dire property, On wholesome life usurp immediately. [Pours the poison into the sleeper's ears] HAMLET He poisons him i' the garden for's estate. His name's Gonzago: the story is extant, and writ in choice Italian: you shall see anon how the murderer gets the love of Gonzago's wife. OPHELIA The king rises. HAMLET What, frighted with false fire! QUEEN GERTRUDE How fares my lord? LORD POLONIUS Give o'er the play. KING CLAUDIUS Give me some light: away! All Lights, lights, lights! [Exeunt all but HAMLET and HORATIO] HAMLET Why, let the stricken deer go weep, The hart ungalled play; For some must watch, while some must sleep: So runs the world away. Would not this, sir, and a forest of feathers-- if the rest of my fortunes turn Turk with me--with two Provincial roses on my razed shoes, get me a fellowship in a cry of players, sir? HORATIO Half a share. HAMLET A whole one, I. For thou dost know, O Damon dear, This realm dismantled was Of Jove himself; and now reigns here A very, very--pajock. HORATIO You might have rhymed. HAMLET O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive? HORATIO Very well, my lord. HAMLET Upon the talk of the poisoning? HORATIO I did very well note him. HAMLET Ah, ha! Come, some music! come, the recorders! For if the king like not the comedy, Why then, belike, he likes it not, perdy. Come, some music! [Re-enter ROSENCRANTZ and GUILDENSTERN] GUILDENSTERN Good my lord, vouchsafe me a word with you. HAMLET Sir, a whole history. GUILDENSTERN The king, sir,-- HAMLET Ay, sir, what of him? GUILDENSTERN Is in his retirement marvellous distempered. HAMLET With drink, sir? GUILDENSTERN No, my lord, rather with choler. HAMLET Your wisdom should show itself more richer to signify this to his doctor; for, for me to put him to his purgation would perhaps plunge him into far more choler. GUILDENSTERN Good my lord, put your discourse into some frame and start not so wildly from my affair. HAMLET I am tame, sir: pronounce. GUILDENSTERN The queen, your mother, in most great affliction of spirit, hath sent me to you. HAMLET You are welcome. GUILDENSTERN Nay, good my lord, this courtesy is not of the right breed. If it shall please you to make me a wholesome answer, I will do your mother's commandment: if not, your pardon and my return shall be the end of my business. HAMLET Sir, I cannot. GUILDENSTERN What, my lord? HAMLET Make you a wholesome answer; my wit's diseased: but, sir, such answer as I can make, you shall command; or, rather, as you say, my mother: therefore no more, but to the matter: my mother, you say,-- ROSENCRANTZ Then thus she says; your behavior hath struck her into amazement and admiration. HAMLET O wonderful son, that can so astonish a mother! But is there no sequel at the heels of this mother's admiration? Impart. ROSENCRANTZ She desires to speak with you in her closet, ere you go to bed. HAMLET We shall obey, were she ten times our mother. Have you any further trade with us? ROSENCRANTZ My lord, you once did love me. HAMLET So I do still, by these pickers and stealers. ROSENCRANTZ Good my lord, what is your cause of distemper? you do, surely, bar the door upon your own liberty, if you deny your griefs to your friend. HAMLET Sir, I lack advancement. ROSENCRANTZ How can that be, when you have the voice of the king himself for your succession in Denmark? HAMLET Ay, but sir, 'While the grass grows,'--the proverb is something musty. [Re-enter Players with recorders] O, the recorders! let me see one. To withdraw with you:--why do you go about to recover the wind of me, as if you would drive me into a toil? GUILDENSTERN O, my lord, if my duty be too bold, my love is too unmannerly. HAMLET I do not well understand that. Will you play upon this pipe? GUILDENSTERN My lord, I cannot. HAMLET I pray you. GUILDENSTERN Believe me, I cannot. HAMLET I do beseech you. GUILDENSTERN I know no touch of it, my lord. HAMLET 'Tis as easy as lying: govern these ventages with your lingers and thumb, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops. GUILDENSTERN But these cannot I command to any utterance of harmony; I have not the skill. HAMLET Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass: and there is much music, excellent voice, in this little organ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me. [Enter POLONIUS] God bless you, sir! LORD POLONIUS My lord, the queen would speak with you, and presently. HAMLET Do you see yonder cloud that's almost in shape of a camel? LORD POLONIUS By the mass, and 'tis like a camel, indeed. HAMLET Methinks it is like a weasel. LORD POLONIUS It is backed like a weasel. HAMLET Or like a whale? LORD POLONIUS Very like a whale. HAMLET Then I will come to my mother by and by. They fool me to the top of my bent. I will come by and by. LORD POLONIUS I will say so. HAMLET By and by is easily said. [Exit POLONIUS] Leave me, friends. [Exeunt all but HAMLET] Tis now the very witching time of night, When churchyards yawn and hell itself breathes out Contagion to this world: now could I drink hot blood, And do such bitter business as the day Would quake to look on. Soft! now to my mother. O heart, lose not thy nature; let not ever The soul of Nero enter this firm bosom: Let me be cruel, not unnatural: I will speak daggers to her, but use none; My tongue and soul in this be hypocrites; How in my words soever she be shent, To give them seals never, my soul, consent! [Exit] HAMLET ACT III SCENE III A room in the castle. [Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN] KING CLAUDIUS I like him not, nor stands it safe with us To let his madness range. Therefore prepare you; I your commission will forthwith dispatch, And he to England shall along with you: The terms of our estate may not endure Hazard so dangerous as doth hourly grow Out of his lunacies. GUILDENSTERN We will ourselves provide: Most holy and religious fear it is To keep those many many bodies safe That live and feed upon your majesty. ROSENCRANTZ The single and peculiar life is bound, With all the strength and armour of the mind, To keep itself from noyance; but much more That spirit upon whose weal depend and rest The lives of many. The cease of majesty Dies not alone; but, like a gulf, doth draw What's near it with it: it is a massy wheel, Fix'd on the summit of the highest mount, To whose huge spokes ten thousand lesser things Are mortised and adjoin'd; which, when it falls, Each small annexment, petty consequence, Attends the boisterous ruin. Never alone Did the king sigh, but with a general groan. KING CLAUDIUS Arm you, I pray you, to this speedy voyage; For we will fetters put upon this fear, Which now goes too free-footed. ROSENCRANTZ | | We will haste us. GUILDENSTERN | [Exeunt ROSENCRANTZ and GUILDENSTERN] [Enter POLONIUS] LORD POLONIUS My lord, he's going to his mother's closet: Behind the arras I'll convey myself, To hear the process; and warrant she'll tax him home: And, as you said, and wisely was it said, 'Tis meet that some more audience than a mother, Since nature makes them partial, should o'erhear The speech, of vantage. Fare you well, my liege: I'll call upon you ere you go to bed, And tell you what I know. KING CLAUDIUS Thanks, dear my lord. [Exit POLONIUS] O, my offence is rank it smells to heaven; It hath the primal eldest curse upon't, A brother's murder. Pray can I not, Though inclination be as sharp as will: My stronger guilt defeats my strong intent; And, like a man to double business bound, I stand in pause where I shall first begin, And both neglect. What if this cursed hand Were thicker than itself with brother's blood, Is there not rain enough in the sweet heavens To wash it white as snow? Whereto serves mercy But to confront the visage of offence? And what's in prayer but this two-fold force, To be forestalled ere we come to fall, Or pardon'd being down? Then I'll look up; My fault is past. But, O, what form of prayer Can serve my turn? 'Forgive me my foul murder'? That cannot be; since I am still possess'd Of those effects for which I did the murder, My crown, mine own ambition and my queen. May one be pardon'd and retain the offence? In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law: but 'tis not so above; There is no shuffling, there the action lies In his true nature; and we ourselves compell'd, Even to the teeth and forehead of our faults, To give in evidence. What then? what rests? Try what repentance can: what can it not? Yet what can it when one can not repent? O wretched state! O bosom black as death! O limed soul, that, struggling to be free, Art more engaged! Help, angels! Make assay! Bow, stubborn knees; and, heart with strings of steel, Be soft as sinews of the newborn babe! All may be well. [Retires and kneels] [Enter HAMLET] HAMLET Now might I do it pat, now he is praying; And now I'll do't. And so he goes to heaven; And so am I revenged. That would be scann'd: A villain kills my father; and for that, I, his sole son, do this same villain send To heaven. O, this is hire and salary, not revenge. He took my father grossly, full of bread; With all his crimes broad blown, as flush as May; And how his audit stands who knows save heaven? But in our circumstance and course of thought, 'Tis heavy with him: and am I then revenged, To take him in the purging of his soul, When he is fit and season'd for his passage? No! Up, sword; and know thou a more horrid hent: When he is drunk asleep, or in his rage, Or in the incestuous pleasure of his bed; At gaming, swearing, or about some act That has no relish of salvation in't; Then trip him, that his heels may kick at heaven, And that his soul may be as damn'd and black As hell, whereto it goes. My mother stays: This physic but prolongs thy sickly days. [Exit] KING CLAUDIUS [Rising] My words fly up, my thoughts remain below: Words without thoughts never to heaven go. [Exit] HAMLET ACT III SCENE IV The Queen's closet. [Enter QUEEN MARGARET and POLONIUS] LORD POLONIUS He will come straight. Look you lay home to him: Tell him his pranks have been too broad to bear with, And that your grace hath screen'd and stood between Much heat and him. I'll sconce me even here. Pray you, be round with him. HAMLET [Within] Mother, mother, mother! QUEEN GERTRUDE I'll warrant you, Fear me not: withdraw, I hear him coming. [POLONIUS hides behind the arras] [Enter HAMLET] HAMLET Now, mother, what's the matter? QUEEN GERTRUDE Hamlet, thou hast thy father much offended. HAMLET Mother, you have my father much offended. QUEEN GERTRUDE Come, come, you answer with an idle tongue. HAMLET Go, go, you question with a wicked tongue. QUEEN GERTRUDE Why, how now, Hamlet! HAMLET What's the matter now? QUEEN GERTRUDE Have you forgot me? HAMLET No, by the rood, not so: You are the queen, your husband's brother's wife; And--would it were not so!--you are my mother. QUEEN GERTRUDE Nay, then, I'll set those to you that can speak. HAMLET Come, come, and sit you down; you shall not budge; You go not till I set you up a glass Where you may see the inmost part of you. QUEEN GERTRUDE What wilt thou do? thou wilt not murder me? Help, help, ho! LORD POLONIUS [Behind] What, ho! help, help, help! HAMLET [Drawing] How now! a rat? Dead, for a ducat, dead! [Makes a pass through the arras] LORD POLONIUS [Behind] O, I am slain! [Falls and dies] QUEEN GERTRUDE O me, what hast thou done? HAMLET Nay, I know not: Is it the king? QUEEN GERTRUDE O, what a rash and bloody deed is this! HAMLET A bloody deed! almost as bad, good mother, As kill a king, and marry with his brother. QUEEN GERTRUDE As kill a king! HAMLET Ay, lady, 'twas my word. [Lifts up the array and discovers POLONIUS] Thou wretched, rash, intruding fool, farewell! I took thee for thy better: take thy fortune; Thou find'st to be too busy is some danger. Leave wringing of your hands: peace! sit you down, And let me wring your heart; for so I shall, If it be made of penetrable stuff, If damned custom have not brass'd it so That it is proof and bulwark against sense. QUEEN GERTRUDE What have I done, that thou darest wag thy tongue In noise so rude against me? HAMLET Such an act That blurs the grace and blush of modesty, Calls virtue hypocrite, takes off the rose From the fair forehead of an innocent love And sets a blister there, makes marriage-vows As false as dicers' oaths: O, such a deed As from the body of contraction plucks The very soul, and sweet religion makes A rhapsody of words: heaven's face doth glow: Yea, this solidity and compound mass, With tristful visage, as against the doom, Is thought-sick at the act. QUEEN GERTRUDE Ay me, what act, That roars so loud, and thunders in the index? HAMLET Look here, upon this picture, and on this, The counterfeit presentment of two brothers. See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form indeed, Where every god did seem to set his seal, To give the world assurance of a man: This was your husband. Look you now, what follows: Here is your husband; like a mildew'd ear, Blasting his wholesome brother. Have you eyes? Could you on this fair mountain leave to feed, And batten on this moor? Ha! have you eyes? You cannot call it love; for at your age The hey-day in the blood is tame, it's humble, And waits upon the judgment: and what judgment Would step from this to this? Sense, sure, you have, Else could you not have motion; but sure, that sense Is apoplex'd; for madness would not err, Nor sense to ecstasy was ne'er so thrall'd But it reserved some quantity of choice, To serve in such a difference. What devil was't That thus hath cozen'd you at hoodman-blind? Eyes without feeling, feeling without sight, Ears without hands or eyes, smelling sans all, Or but a sickly part of one true sense Could not so mope. O shame! where is thy blush? Rebellious hell, If thou canst mutine in a matron's bones, To flaming youth let virtue be as wax, And melt in her own fire: proclaim no shame When the compulsive ardour gives the charge, Since frost itself as actively doth burn And reason panders will. QUEEN GERTRUDE O Hamlet, speak no more: Thou turn'st mine eyes into my very soul; And there I see such black and grained spots As will not leave their tinct. HAMLET Nay, but to live In the rank sweat of an enseamed bed, Stew'd in corruption, honeying and making love Over the nasty sty,-- QUEEN GERTRUDE O, speak to me no more; These words, like daggers, enter in mine ears; No more, sweet Hamlet! HAMLET A murderer and a villain; A slave that is not twentieth part the tithe Of your precedent lord; a vice of kings; A cutpurse of the empire and the rule, That from a shelf the precious diadem stole, And put it in his pocket! QUEEN GERTRUDE No more! HAMLET A king of shreds and patches,-- [Enter Ghost] Save me, and hover o'er me with your wings, You heavenly guards! What would your gracious figure? QUEEN GERTRUDE Alas, he's mad! HAMLET Do you not come your tardy son to chide, That, lapsed in time and passion, lets go by The important acting of your dread command? O, say! Ghost Do not forget: this visitation Is but to whet thy almost blunted purpose. But, look, amazement on thy mother sits: O, step between her and her fighting soul: Conceit in weakest bodies strongest works: Speak to her, Hamlet. HAMLET How is it with you, lady? QUEEN GERTRUDE Alas, how is't with you, That you do bend your eye on vacancy And with the incorporal air do hold discourse? Forth at your eyes your spirits wildly peep; And, as the sleeping soldiers in the alarm, Your bedded hair, like life in excrements, Starts up, and stands on end. O gentle son, Upon the heat and flame of thy distemper Sprinkle cool patience. Whereon do you look? HAMLET On him, on him! Look you, how pale he glares! His form and cause conjoin'd, preaching to stones, Would make them capable. Do not look upon me; Lest with this piteous action you convert My stern effects: then what I have to do Will want true colour; tears perchance for blood. QUEEN GERTRUDE To whom do you speak this? HAMLET Do you see nothing there? QUEEN GERTRUDE Nothing at all; yet all that is I see. HAMLET Nor did you nothing hear? QUEEN GERTRUDE No, nothing but ourselves. HAMLET Why, look you there! look, how it steals away! My father, in his habit as he lived! Look, where he goes, even now, out at the portal! [Exit Ghost] QUEEN GERTRUDE This the very coinage of your brain: This bodiless creation ecstasy Is very cunning in. HAMLET Ecstasy! My pulse, as yours, doth temperately keep time, And makes as healthful music: it is not madness That I have utter'd: bring me to the test, And I the matter will re-word; which madness Would gambol from. Mother, for love of grace, Lay not that mattering unction to your soul, That not your trespass, but my madness speaks: It will but skin and film the ulcerous place, Whilst rank corruption, mining all within, Infects unseen. Confess yourself to heaven; Repent what's past; avoid what is to come; And do not spread the compost on the weeds, To make them ranker. Forgive me this my virtue; For in the fatness of these pursy times Virtue itself of vice must pardon beg, Yea, curb and woo for leave to do him good. QUEEN GERTRUDE O Hamlet, thou hast cleft my heart in twain. HAMLET O, throw away the worser part of it, And live the purer with the other half. Good night: but go not to mine uncle's bed; Assume a virtue, if you have it not. That monster, custom, who all sense doth eat, Of habits devil, is angel yet in this, That to the use of actions fair and good He likewise gives a frock or livery, That aptly is put on. Refrain to-night, And that shall lend a kind of easiness To the next abstinence: the next more easy; For use almost can change the stamp of nature, And either [ ] the devil, or throw him out With wondrous potency. Once more, good night: And when you are desirous to be bless'd, I'll blessing beg of you. For this same lord, [Pointing to POLONIUS] I do repent: but heaven hath pleased it so, To punish me with this and this with me, That I must be their scourge and minister. I will bestow him, and will answer well The death I gave him. So, again, good night. I must be cruel, only to be kind: Thus bad begins and worse remains behind. One word more, good lady. QUEEN GERTRUDE What shall I do? HAMLET Not this, by no means, that I bid you do: Let the bloat king tempt you again to bed; Pinch wanton on your cheek; call you his mouse; And let him, for a pair of reechy kisses, Or paddling in your neck with his damn'd fingers, Make you to ravel all this matter out, That I essentially am not in madness, But mad in craft. 'Twere good you let him know; For who, that's but a queen, fair, sober, wise, Would from a paddock, from a bat, a gib, Such dear concernings hide? who would do so? No, in despite of sense and secrecy, Unpeg the basket on the house's top. Let the birds fly, and, like the famous ape, To try conclusions, in the basket creep, And break your own neck down. QUEEN GERTRUDE Be thou assured, if words be made of breath, And breath of life, I have no life to breathe What thou hast said to me. HAMLET I must to England; you know that? QUEEN GERTRUDE Alack, I had forgot: 'tis so concluded on. HAMLET There's letters seal'd: and my two schoolfellows, Whom I will trust as I will adders fang'd, They bear the mandate; they must sweep my way, And marshal me to knavery. Let it work; For 'tis the sport to have the engineer Hoist with his own petard: and 't shall go hard But I will delve one yard below their mines, And blow them at the moon: O, 'tis most sweet, When in one line two crafts directly meet. This man shall set me packing: I'll lug the guts into the neighbour room. Mother, good night. Indeed this counsellor Is now most still, most secret and most grave, Who was in life a foolish prating knave. Come, sir, to draw toward an end with you. Good night, mother. [Exeunt severally; HAMLET dragging in POLONIUS] HAMLET ACT IV SCENE I A room in the castle. [Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, and GUILDENSTERN] KING CLAUDIUS There's matter in these sighs, these profound heaves: You must translate: 'tis fit we understand them. Where is your son? QUEEN GERTRUDE Bestow this place on us a little while. [Exeunt ROSENCRANTZ and GUILDENSTERN] Ah, my good lord, what have I seen to-night! KING CLAUDIUS What, Gertrude? How does Hamlet? QUEEN GERTRUDE Mad as the sea and wind, when both contend Which is the mightier: in his lawless fit, Behind the arras hearing something stir, Whips out his rapier, cries, 'A rat, a rat!' And, in this brainish apprehension, kills The unseen good old man. KING CLAUDIUS O heavy deed! It had been so with us, had we been there: His liberty is full of threats to all; To you yourself, to us, to every one. Alas, how shall this bloody deed be answer'd? It will be laid to us, whose providence Should have kept short, restrain'd and out of haunt, This mad young man: but so much was our love, We would not understand what was most fit; But, like the owner of a foul disease, To keep it from divulging, let it feed Even on the pith of Life. Where is he gone? QUEEN GERTRUDE To draw apart the body he hath kill'd: O'er whom his very madness, like some ore Among a mineral of metals base, Shows itself pure; he weeps for what is done. KING CLAUDIUS O Gertrude, come away! The sun no sooner shall the mountains touch, But we will ship him hence: and this vile deed We must, with all our majesty and skill, Both countenance and excuse. Ho, Guildenstern! [Re-enter ROSENCRANTZ and GUILDENSTERN] Friends both, go join you with some further aid: Hamlet in madness hath Polonius slain, And from his mother's closet hath he dragg'd him: Go seek him out; speak fair, and bring the body Into the chapel. I pray you, haste in this. [Exeunt ROSENCRANTZ and GUILDENSTERN] Come, Gertrude, we'll call up our wisest friends; And let them know, both what we mean to do, And what's untimely done [ ] Whose whisper o'er the world's diameter, As level as the cannon to his blank, Transports his poison'd shot, may miss our name, And hit the woundless air. O, come away! My soul is full of discord and dismay. [Exeunt] HAMLET ACT IV SCENE II Another room in the castle. [Enter HAMLET] HAMLET Safely stowed. ROSENCRANTZ: | | [Within] Hamlet! Lord Hamlet! GUILDENSTERN: | HAMLET What noise? who calls on Hamlet? O, here they come. [Enter ROSENCRANTZ and GUILDENSTERN] ROSENCRANTZ What have you done, my lord, with the dead body? HAMLET Compounded it with dust, whereto 'tis kin. ROSENCRANTZ Tell us where 'tis, that we may take it thence And bear it to the chapel. HAMLET Do not believe it. ROSENCRANTZ Believe what? HAMLET That I can keep your counsel and not mine own. Besides, to be demanded of a sponge! what replication should be made by the son of a king? ROSENCRANTZ Take you me for a sponge, my lord? HAMLET Ay, sir, that soaks up the king's countenance, his rewards, his authorities. But such officers do the king best service in the end: he keeps them, like an ape, in the corner of his jaw; first mouthed, to be last swallowed: when he needs what you have gleaned, it is but squeezing you, and, sponge, you shall be dry again. ROSENCRANTZ I understand you not, my lord. HAMLET I am glad of it: a knavish speech sleeps in a foolish ear. ROSENCRANTZ My lord, you must tell us where the body is, and go with us to the king. HAMLET The body is with the king, but the king is not with the body. The king is a thing-- GUILDENSTERN A thing, my lord! HAMLET Of nothing: bring me to him. Hide fox, and all after. [Exeunt] HAMLET ACT IV SCENE III Another room in the castle. [Enter KING CLAUDIUS, attended] KING CLAUDIUS I have sent to seek him, and to find the body. How dangerous is it that this man goes loose! Yet must not we put the strong law on him: He's loved of the distracted multitude, Who like not in their judgment, but their eyes; And where tis so, the offender's scourge is weigh'd, But never the offence. To bear all smooth and even, This sudden sending him away must seem Deliberate pause: diseases desperate grown By desperate appliance are relieved, Or not at all. [Enter ROSENCRANTZ] How now! what hath befall'n? ROSENCRANTZ Where the dead body is bestow'd, my lord, We cannot get from him. KING CLAUDIUS But where is he? ROSENCRANTZ Without, my lord; guarded, to know your pleasure. KING CLAUDIUS Bring him before us. ROSENCRANTZ Ho, Guildenstern! bring in my lord. [Enter HAMLET and GUILDENSTERN] KING CLAUDIUS Now, Hamlet, where's Polonius? HAMLET At supper. KING CLAUDIUS At supper! where? HAMLET Not where he eats, but where he is eaten: a certain convocation of politic worms are e'en at him. Your worm is your only emperor for diet: we fat all creatures else to fat us, and we fat ourselves for maggots: your fat king and your lean beggar is but variable service, two dishes, but to one table: that's the end. KING CLAUDIUS Alas, alas! HAMLET A man may fish with the worm that hath eat of a king, and cat of the fish that hath fed of that worm. KING CLAUDIUS What dost you mean by this? HAMLET Nothing but to show you how a king may go a progress through the guts of a beggar. KING CLAUDIUS Where is Polonius? HAMLET In heaven; send hither to see: if your messenger find him not there, seek him i' the other place yourself. But indeed, if you find him not within this month, you shall nose him as you go up the stairs into the lobby. KING CLAUDIUS Go seek him there. [To some Attendants] HAMLET He will stay till ye come. [Exeunt Attendants] KING CLAUDIUS Hamlet, this deed, for thine especial safety,-- Which we do tender, as we dearly grieve For that which thou hast done,--must send thee hence With fiery quickness: therefore prepare thyself; The bark is ready, and the wind at help, The associates tend, and every thing is bent For England. HAMLET For England! KING CLAUDIUS Ay, Hamlet. HAMLET Good. KING CLAUDIUS So is it, if thou knew'st our purposes. HAMLET I see a cherub that sees them. But, come; for England! Farewell, dear mother. KING CLAUDIUS Thy loving father, Hamlet. HAMLET My mother: father and mother is man and wife; man and wife is one flesh; and so, my mother. Come, for England! [Exit] KING CLAUDIUS Follow him at foot; tempt him with speed aboard; Delay it not; I'll have him hence to-night: Away! for every thing is seal'd and done That else leans on the affair: pray you, make haste. [Exeunt ROSENCRANTZ and GUILDENSTERN] And, England, if my love thou hold'st at aught-- As my great power thereof may give thee sense, Since yet thy cicatrice looks raw and red After the Danish sword, and thy free awe Pays homage to us--thou mayst not coldly set Our sovereign process; which imports at full, By letters congruing to that effect, The present death of Hamlet. Do it, England; For like the hectic in my blood he rages, And thou must cure me: till I know 'tis done, Howe'er my haps, my joys were ne'er begun. [Exit] HAMLET ACT IV SCENE IV A plain in Denmark. [Enter FORTINBRAS, a Captain, and Soldiers, marching] PRINCE FORTINBRAS Go, captain, from me greet the Danish king; Tell him that, by his licence, Fortinbras Craves the conveyance of a promised march Over his kingdom. You know the rendezvous. If that his majesty would aught with us, We shall express our duty in his eye; And let him know so. Captain I will do't, my lord. PRINCE FORTINBRAS Go softly on. [Exeunt FORTINBRAS and Soldiers] [Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others] HAMLET Good sir, whose powers are these? Captain They are of Norway, sir. HAMLET How purposed, sir, I pray you? Captain Against some part of Poland. HAMLET Who commands them, sir? Captain The nephews to old Norway, Fortinbras. HAMLET Goes it against the main of Poland, sir, Or for some frontier? Captain Truly to speak, and with no addition, We go to gain a little patch of ground That hath in it no profit but the name. To pay five ducats, five, I would not farm it; Nor will it yield to Norway or the Pole A ranker rate, should it be sold in fee. HAMLET Why, then the Polack never will defend it. Captain Yes, it is already garrison'd. HAMLET Two thousand souls and twenty thousand ducats Will not debate the question of this straw: This is the imposthume of much wealth and peace, That inward breaks, and shows no cause without Why the man dies. I humbly thank you, sir. Captain God be wi' you, sir. [Exit] ROSENCRANTZ Wilt please you go, my lord? HAMLET I'll be with you straight go a little before. [Exeunt all except HAMLET] How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure, he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unused. Now, whether it be Bestial oblivion, or some craven scruple Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say 'This thing's to do;' Sith I have cause and will and strength and means To do't. Examples gross as earth exhort me: Witness this army of such mass and charge Led by a delicate and tender prince, Whose spirit with divine ambition puff'd Makes mouths at the invisible event, Exposing what is mortal and unsure To all that fortune, death and danger dare, Even for an egg-shell. Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw When honour's at the stake. How stand I then, That have a father kill'd, a mother stain'd, Excitements of my reason and my blood, And let all sleep? while, to my shame, I see The imminent death of twenty thousand men, That, for a fantasy and trick of fame, Go to their graves like beds, fight for a plot Whereon the numbers cannot try the cause, Which is not tomb enough and continent To hide the slain? O, from this time forth, My thoughts be bloody, or be nothing worth! [Exit] HAMLET ACT IV SCENE V Elsinore. A room in the castle. [Enter QUEEN GERTRUDE, HORATIO, and a Gentleman] QUEEN GERTRUDE I will not speak with her. Gentleman She is importunate, indeed distract: Her mood will needs be pitied. QUEEN GERTRUDE What would she have? Gentleman She speaks much of her father; says she hears There's tricks i' the world; and hems, and beats her heart; Spurns enviously at straws; speaks things in doubt, That carry but half sense: her speech is nothing, Yet the unshaped use of it doth move The hearers to collection; they aim at it, And botch the words up fit to their own thoughts; Which, as her winks, and nods, and gestures yield them, Indeed would make one think there might be thought, Though nothing sure, yet much unhappily. HORATIO 'Twere good she were spoken with; for she may strew Dangerous conjectures in ill-breeding minds. QUEEN GERTRUDE Let her come in. [Exit HORATIO] To my sick soul, as sin's true nature is, Each toy seems prologue to some great amiss: So full of artless jealousy is guilt, It spills itself in fearing to be spilt. [Re-enter HORATIO, with OPHELIA] OPHELIA Where is the beauteous majesty of Denmark? QUEEN GERTRUDE How now, Ophelia! OPHELIA [Sings] How should I your true love know From another one? By his cockle hat and staff, And his sandal shoon. QUEEN GERTRUDE Alas, sweet lady, what imports this song? OPHELIA Say you? nay, pray you, mark. [Sings] He is dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone. QUEEN GERTRUDE Nay, but, Ophelia,-- OPHELIA Pray you, mark. [Sings] White his shroud as the mountain snow,-- [Enter KING CLAUDIUS] QUEEN GERTRUDE Alas, look here, my lord. OPHELIA [Sings] Larded with sweet flowers Which bewept to the grave did go With true-love showers. KING CLAUDIUS How do you, pretty lady? OPHELIA Well, God 'ild you! They say the owl was a baker's daughter. Lord, we know what we are, but know not what we may be. God be at your table! KING CLAUDIUS Conceit upon her father. OPHELIA Pray you, let's have no words of this; but when they ask you what it means, say you this: [Sings] To-morrow is Saint Valentine's day, All in the morning betime, And I a maid at your window, To be your Valentine. Then up he rose, and donn'd his clothes, And dupp'd the chamber-door; Let in the maid, that out a maid Never departed more. KING CLAUDIUS Pretty Ophelia! OPHELIA Indeed, la, without an oath, I'll make an end on't: [Sings] By Gis and by Saint Charity, Alack, and fie for shame! Young men will do't, if they come to't; By cock, they are to blame. Quoth she, before you tumbled me, You promised me to wed. So would I ha' done, by yonder sun, An thou hadst not come to my bed. KING CLAUDIUS How long hath she been thus? OPHELIA I hope all will be well. We must be patient: but I cannot choose but weep, to think they should lay him i' the cold ground. My brother shall know of it: and so I thank you for your good counsel. Come, my coach! Good night, ladies; good night, sweet ladies; good night, good night. [Exit] KING CLAUDIUS Follow her close; give her good watch, I pray you. [Exit HORATIO] O, this is the poison of deep grief; it springs All from her father's death. O Gertrude, Gertrude, When sorrows come, they come not single spies But in battalions. First, her father slain: Next, your son gone; and he most violent author Of his own just remove: the people muddied, Thick and unwholesome in their thoughts and whispers, For good Polonius' death; and we have done but greenly, In hugger-mugger to inter him: poor Ophelia Divided from herself and her fair judgment, Without the which we are pictures, or mere beasts: Last, and as much containing as all these, Her brother is in secret come from France; Feeds on his wonder, keeps himself in clouds, And wants not buzzers to infect his ear With pestilent speeches of his father's death; Wherein necessity, of matter beggar'd, Will nothing stick our person to arraign In ear and ear. O my dear Gertrude, this, Like to a murdering-piece, in many places Gives me superfluous death. [A noise within] QUEEN GERTRUDE Alack, what noise is this? KING CLAUDIUS Where are my Switzers? Let them guard the door. [Enter another Gentleman] What is the matter? Gentleman Save yourself, my lord: The ocean, overpeering of his list, Eats not the flats with more impetuous haste Than young Laertes, in a riotous head, O'erbears your officers. The rabble call him lord; And, as the world were now but to begin, Antiquity forgot, custom not known, The ratifiers and props of every word, They cry 'Choose we: Laertes shall be king:' Caps, hands, and tongues, applaud it to the clouds: 'Laertes shall be king, Laertes king!' QUEEN GERTRUDE How cheerfully on the false trail they cry! O, this is counter, you false Danish dogs! KING CLAUDIUS The doors are broke. [Noise within] [Enter LAERTES, armed; Danes following] LAERTES Where is this king? Sirs, stand you all without. Danes No, let's come in. LAERTES I pray you, give me leave. Danes We will, we will. [They retire without the door] LAERTES I thank you: keep the door. O thou vile king, Give me my father! QUEEN GERTRUDE Calmly, good Laertes. LAERTES That drop of blood that's calm proclaims me bastard, Cries cuckold to my father, brands the harlot Even here, between the chaste unsmirched brow Of my true mother. KING CLAUDIUS What is the cause, Laertes, That thy rebellion looks so giant-like? Let him go, Gertrude; do not fear our person: There's such divinity doth hedge a king, That treason can but peep to what it would, Acts little of his will. Tell me, Laertes, Why thou art thus incensed. Let him go, Gertrude. Speak, man. LAERTES Where is my father? KING CLAUDIUS Dead. QUEEN GERTRUDE But not by him. KING CLAUDIUS Let him demand his fill. LAERTES How came he dead? I'll not be juggled with: To hell, allegiance! vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, That both the worlds I give to negligence, Let come what comes; only I'll be revenged Most thoroughly for my father. KING CLAUDIUS Who shall stay you? LAERTES My will, not all the world: And for my means, I'll husband them so well, They shall go far with little. KING CLAUDIUS Good Laertes, If you desire to know the certainty Of your dear father's death, is't writ in your revenge, That, swoopstake, you will draw both friend and foe, Winner and loser? LAERTES None but his enemies. KING CLAUDIUS Will you know them then? LAERTES To his good friends thus wide I'll ope my arms; And like the kind life-rendering pelican, Repast them with my blood. KING CLAUDIUS Why, now you speak Like a good child and a true gentleman. That I am guiltless of your father's death, And am most sensible in grief for it, It shall as level to your judgment pierce As day does to your eye. Danes [Within] Let her come in. LAERTES How now! what noise is that? [Re-enter OPHELIA] O heat, dry up my brains! tears seven times salt, Burn out the sense and virtue of mine eye! By heaven, thy madness shall be paid by weight, Till our scale turn the beam. O rose of May! Dear maid, kind sister, sweet Ophelia! O heavens! is't possible, a young maid's wits Should be as moral as an old man's life? Nature is fine in love, and where 'tis fine, It sends some precious instance of itself After the thing it loves. OPHELIA [Sings] They bore him barefaced on the bier; Hey non nonny, nonny, hey nonny; And in his grave rain'd many a tear:-- Fare you well, my dove! LAERTES Hadst thou thy wits, and didst persuade revenge, It could not move thus. OPHELIA [Sings] You must sing a-down a-down, An you call him a-down-a. O, how the wheel becomes it! It is the false steward, that stole his master's daughter. LAERTES This nothing's more than matter. OPHELIA There's rosemary, that's for remembrance; pray, love, remember: and there is pansies. that's for thoughts. LAERTES A document in madness, thoughts and remembrance fitted. OPHELIA There's fennel for you, and columbines: there's rue for you; and here's some for me: we may call it herb-grace o' Sundays: O you must wear your rue with a difference. There's a daisy: I would give you some violets, but they withered all when my father died: they say he made a good end,-- [Sings] For bonny sweet Robin is all my joy. LAERTES Thought and affliction, passion, hell itself, She turns to favour and to prettiness. OPHELIA [Sings] And will he not come again? And will he not come again? No, no, he is dead: Go to thy death-bed: He never will come again. His beard was as white as snow, All flaxen was his poll: He is gone, he is gone, And we cast away moan: God ha' mercy on his soul! And of all Christian souls, I pray God. God be wi' ye. [Exit] LAERTES Do you see this, O God? KING CLAUDIUS Laertes, I must commune with your grief, Or you deny me right. Go but apart, Make choice of whom your wisest friends you will. And they shall hear and judge 'twixt you and me: If by direct or by collateral hand They find us touch'd, we will our kingdom give, Our crown, our life, and all that we can ours, To you in satisfaction; but if not, Be you content to lend your patience to us, And we shall jointly labour with your soul To give it due content. LAERTES Let this be so; His means of death, his obscure funeral-- No trophy, sword, nor hatchment o'er his bones, No noble rite nor formal ostentation-- Cry to be heard, as 'twere from heaven to earth, That I must call't in question. KING CLAUDIUS So you shall; And where the offence is let the great axe fall. I pray you, go with me. [Exeunt] HAMLET ACT IV SCENE VI Another room in the castle. [Enter HORATIO and a Servant] HORATIO What are they that would speak with me? Servant Sailors, sir: they say they have letters for you. HORATIO Let them come in. [Exit Servant] I do not know from what part of the world I should be greeted, if not from Lord Hamlet. [Enter Sailors] First Sailor God bless you, sir. HORATIO Let him bless thee too. First Sailor He shall, sir, an't please him. There's a letter for you, sir; it comes from the ambassador that was bound for England; if your name be Horatio, as I am let to know it is. HORATIO [Reads] 'Horatio, when thou shalt have overlooked this, give these fellows some means to the king: they have letters for him. Ere we were two days old at sea, a pirate of very warlike appointment gave us chase. Finding ourselves too slow of sail, we put on a compelled valour, and in the grapple I boarded them: on the instant they got clear of our ship; so I alone became their prisoner. They have dealt with me like thieves of mercy: but they knew what they did; I am to do a good turn for them. Let the king have the letters I have sent; and repair thou to me with as much speed as thou wouldst fly death. I have words to speak in thine ear will make thee dumb; yet are they much too light for the bore of the matter. These good fellows will bring thee where I am. Rosencrantz and Guildenstern hold their course for England: of them I have much to tell thee. Farewell. 'He that thou knowest thine, HAMLET.' Come, I will make you way for these your letters; And do't the speedier, that you may direct me To him from whom you brought them. [Exeunt] HAMLET ACT IV SCENE VII Another room in the castle. [Enter KING CLAUDIUS and LAERTES] KING CLAUDIUS Now must your conscience my acquaintance seal, And you must put me in your heart for friend, Sith you have heard, and with a knowing ear, That he which hath your noble father slain Pursued my life. LAERTES It well appears: but tell me Why you proceeded not against these feats, So crimeful and so capital in nature, As by your safety, wisdom, all things else, You mainly were stirr'd up. KING CLAUDIUS O, for two special reasons; Which may to you, perhaps, seem much unsinew'd, But yet to me they are strong. The queen his mother Lives almost by his looks; and for myself-- My virtue or my plague, be it either which-- She's so conjunctive to my life and soul, That, as the star moves not but in his sphere, I could not but by her. The other motive, Why to a public count I might not go, Is the great love the general gender bear him; Who, dipping all his faults in their affection, Would, like the spring that turneth wood to stone, Convert his gyves to graces; so that my arrows, Too slightly timber'd for so loud a wind, Would have reverted to my bow again, And not where I had aim'd them. LAERTES And so have I a noble father lost; A sister driven into desperate terms, Whose worth, if praises may go back again, Stood challenger on mount of all the age For her perfections: but my revenge will come. KING CLAUDIUS Break not your sleeps for that: you must not think That we are made of stuff so flat and dull That we can let our beard be shook with danger And think it pastime. You shortly shall hear more: I loved your father, and we love ourself; And that, I hope, will teach you to imagine-- [Enter a Messenger] How now! what news? Messenger Letters, my lord, from Hamlet: This to your majesty; this to the queen. KING CLAUDIUS From Hamlet! who brought them? Messenger Sailors, my lord, they say; I saw them not: They were given me by Claudio; he received them Of him that brought them. KING CLAUDIUS Laertes, you shall hear them. Leave us. [Exit Messenger] [Reads] 'High and mighty, You shall know I am set naked on your kingdom. To-morrow shall I beg leave to see your kingly eyes: when I shall, first asking your pardon thereunto, recount the occasion of my sudden and more strange return. 'HAMLET.' What should this mean? Are all the rest come back? Or is it some abuse, and no such thing? LAERTES Know you the hand? KING CLAUDIUS 'Tis Hamlets character. 'Naked! And in a postscript here, he says 'alone.' Can you advise me? LAERTES I'm lost in it, my lord. But let him come; It warms the very sickness in my heart, That I shall live and tell him to his teeth, 'Thus didest thou.' KING CLAUDIUS If it be so, Laertes-- As how should it be so? how otherwise?-- Will you be ruled by me? LAERTES Ay, my lord; So you will not o'errule me to a peace. KING CLAUDIUS To thine own peace. If he be now return'd, As checking at his voyage, and that he means No more to undertake it, I will work him To an exploit, now ripe in my device, Under the which he shall not choose but fall: And for his death no wind of blame shall breathe, But even his mother shall uncharge the practise And call it accident. LAERTES My lord, I will be ruled; The rather, if you could devise it so That I might be the organ. KING CLAUDIUS It falls right. You have been talk'd of since your travel much, And that in Hamlet's hearing, for a quality Wherein, they say, you shine: your sum of parts Did not together pluck such envy from him As did that one, and that, in my regard, Of the unworthiest siege. LAERTES What part is that, my lord? KING CLAUDIUS A very riband in the cap of youth, Yet needful too; for youth no less becomes The light and careless livery that it wears Than settled age his sables and his weeds, Importing health and graveness. Two months since, Here was a gentleman of Normandy:-- I've seen myself, and served against, the French, And they can well on horseback: but this gallant Had witchcraft in't; he grew unto his seat; And to such wondrous doing brought his horse, As he had been incorpsed and demi-natured With the brave beast: so far he topp'd my thought, That I, in forgery of shapes and tricks, Come short of what he did. LAERTES A Norman was't? KING CLAUDIUS A Norman. LAERTES Upon my life, Lamond. KING CLAUDIUS The very same. LAERTES I know him well: he is the brooch indeed And gem of all the nation. KING CLAUDIUS He made confession of you, And gave you such a masterly report For art and exercise in your defence And for your rapier most especially, That he cried out, 'twould be a sight indeed, If one could match you: the scrimers of their nation, He swore, had had neither motion, guard, nor eye, If you opposed them. Sir, this report of his Did Hamlet so envenom with his envy That he could nothing do but wish and beg Your sudden coming o'er, to play with him. Now, out of this,-- LAERTES What out of this, my lord? KING CLAUDIUS Laertes, was your father dear to you? Or are you like the painting of a sorrow, A face without a heart? LAERTES Why ask you this? KING CLAUDIUS Not that I think you did not love your father; But that I know love is begun by time; And that I see, in passages of proof, Time qualifies the spark and fire of it. There lives within the very flame of love A kind of wick or snuff that will abate it; And nothing is at a like goodness still; For goodness, growing to a plurisy, Dies in his own too much: that we would do We should do when we would; for this 'would' changes And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing. But, to the quick o' the ulcer:-- Hamlet comes back: what would you undertake, To show yourself your father's son in deed More than in words? LAERTES To cut his throat i' the church. KING CLAUDIUS No place, indeed, should murder sanctuarize; Revenge should have no bounds. But, good Laertes, Will you do this, keep close within your chamber. Hamlet return'd shall know you are come home: We'll put on those shall praise your excellence And set a double varnish on the fame The Frenchman gave you, bring you in fine together And wager on your heads: he, being remiss, Most generous and free from all contriving, Will not peruse the foils; so that, with ease, Or with a little shuffling, you may choose A sword unbated, and in a pass of practise Requite him for your father. LAERTES I will do't: And, for that purpose, I'll anoint my sword. I bought an unction of a mountebank, So mortal that, but dip a knife in it, Where it draws blood no cataplasm so rare, Collected from all simples that have virtue Under the moon, can save the thing from death That is but scratch'd withal: I'll touch my point With this contagion, that, if I gall him slightly, It may be death. KING CLAUDIUS Let's further think of this; Weigh what convenience both of time and means May fit us to our shape: if this should fail, And that our drift look through our bad performance, 'Twere better not assay'd: therefore this project Should have a back or second, that might hold, If this should blast in proof. Soft! let me see: We'll make a solemn wager on your cunnings: I ha't. When in your motion you are hot and dry-- As make your bouts more violent to that end-- And that he calls for drink, I'll have prepared him A chalice for the nonce, whereon but sipping, If he by chance escape your venom'd stuck, Our purpose may hold there. [Enter QUEEN GERTRUDE] How now, sweet queen! QUEEN GERTRUDE One woe doth tread upon another's heel, So fast they follow; your sister's drown'd, Laertes. LAERTES Drown'd! O, where? QUEEN GERTRUDE There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream; There with fantastic garlands did she come Of crow-flowers, nettles, daisies, and long purples That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them: There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide; And, mermaid-like, awhile they bore her up: Which time she chanted snatches of old tunes; As one incapable of her own distress, Or like a creature native and indued Unto that element: but long it could not be Till that her garments, heavy with their drink, Pull'd the poor wretch from her melodious lay To muddy death. LAERTES Alas, then, she is drown'd? QUEEN GERTRUDE Drown'd, drown'd. LAERTES Too much of water hast thou, poor Ophelia, And therefore I forbid my tears: but yet It is our trick; nature her custom holds, Let shame say what it will: when these are gone, The woman will be out. Adieu, my lord: I have a speech of fire, that fain would blaze, But that this folly douts it. [Exit] KING CLAUDIUS Let's follow, Gertrude: How much I had to do to calm his rage! Now fear I this will give it start again; Therefore let's follow. [Exeunt] HAMLET ACT V SCENE I A churchyard. [Enter two Clowns, with spades, &c] First Clown Is she to be buried in Christian burial that wilfully seeks her own salvation? Second Clown I tell thee she is: and therefore make her grave straight: the crowner hath sat on her, and finds it Christian burial. First Clown How can that be, unless she drowned herself in her own defence? Second Clown Why, 'tis found so. First Clown It must be 'se offendendo;' it cannot be else. For here lies the point: if I drown myself wittingly, it argues an act: and an act hath three branches: it is, to act, to do, to perform: argal, she drowned herself wittingly. Second Clown Nay, but hear you, goodman delver,-- First Clown Give me leave. Here lies the water; good: here stands the man; good; if the man go to this water, and drown himself, it is, will he, nill he, he goes,--mark you that; but if the water come to him and drown him, he drowns not himself: argal, he that is not guilty of his own death shortens not his own life. Second Clown But is this law? First Clown Ay, marry, is't; crowner's quest law. Second Clown Will you ha' the truth on't? If this had not been a gentlewoman, she should have been buried out o' Christian burial. First Clown Why, there thou say'st: and the more pity that great folk should have countenance in this world to drown or hang themselves, more than their even Christian. Come, my spade. There is no ancient gentleman but gardeners, ditchers, and grave-makers: they hold up Adam's profession. Second Clown Was he a gentleman? First Clown He was the first that ever bore arms. Second Clown Why, he had none. First Clown What, art a heathen? How dost thou understand the Scripture? The Scripture says 'Adam digged:' could he dig without arms? I'll put another question to thee: if thou answerest me not to the purpose, confess thyself-- Second Clown Go to. First Clown What is he that builds stronger than either the mason, the shipwright, or the carpenter? Second Clown The gallows-maker; for that frame outlives a thousand tenants. First Clown I like thy wit well, in good faith: the gallows does well; but how does it well? it does well to those that do in: now thou dost ill to say the gallows is built stronger than the church: argal, the gallows may do well to thee. To't again, come. Second Clown 'Who builds stronger than a mason, a shipwright, or a carpenter?' First Clown Ay, tell me that, and unyoke. Second Clown Marry, now I can tell. First Clown To't. Second Clown Mass, I cannot tell. [Enter HAMLET and HORATIO, at a distance] First Clown Cudgel thy brains no more about it, for your dull ass will not mend his pace with beating; and, when you are asked this question next, say 'a grave-maker: 'the houses that he makes last till doomsday. Go, get thee to Yaughan: fetch me a stoup of liquor. [Exit Second Clown] [He digs and sings] In youth, when I did love, did love, Methought it was very sweet, To contract, O, the time, for, ah, my behove, O, methought, there was nothing meet. HAMLET Has this fellow no feeling of his business, that he sings at grave-making? HORATIO Custom hath made it in him a property of easiness. HAMLET 'Tis e'en so: the hand of little employment hath the daintier sense. First Clown [Sings] But age, with his stealing steps, Hath claw'd me in his clutch, And hath shipped me intil the land, As if I had never been such. [Throws up a skull] HAMLET That skull had a tongue in it, and could sing once: how the knave jowls it to the ground, as if it were Cain's jaw-bone, that did the first murder! It might be the pate of a politician, which this ass now o'er-reaches; one that would circumvent God, might it not? HORATIO It might, my lord. HAMLET Or of a courtier; which could say 'Good morrow, sweet lord! How dost thou, good lord?' This might be my lord such-a-one, that praised my lord such-a-one's horse, when he meant to beg it; might it not? HORATIO Ay, my lord. HAMLET Why, e'en so: and now my Lady Worm's; chapless, and knocked about the mazzard with a sexton's spade: here's fine revolution, an we had the trick to see't. Did these bones cost no more the breeding, but to play at loggats with 'em? mine ache to think on't. First Clown: [Sings] A pick-axe, and a spade, a spade, For and a shrouding sheet: O, a pit of clay for to be made For such a guest is meet. [Throws up another skull] HAMLET There's another: why may not that be the skull of a lawyer? Where be his quiddities now, his quillets, his cases, his tenures, and his tricks? why does he suffer this rude knave now to knock him about the sconce with a dirty shovel, and will not tell him of his action of battery? Hum! This fellow might be in's time a great buyer of land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries: is this the fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt? will his vouchers vouch him no more of his purchases, and double ones too, than the length and breadth of a pair of indentures? The very conveyances of his lands will hardly lie in this box; and must the inheritor himself have no more, ha? HORATIO Not a jot more, my lord. HAMLET Is not parchment made of sheepskins? HORATIO Ay, my lord, and of calf-skins too. HAMLET They are sheep and calves which seek out assurance in that. I will speak to this fellow. Whose grave's this, sirrah? First Clown Mine, sir. [Sings] O, a pit of clay for to be made For such a guest is meet. HAMLET I think it be thine, indeed; for thou liest in't. First Clown You lie out on't, sir, and therefore it is not yours: for my part, I do not lie in't, and yet it is mine. HAMLET 'Thou dost lie in't, to b