|
Shanks is especially pleased with the witty rapport and verbal shorthand that has developed between Daniel Jackson and Colonel Jack O'Neill (Richard Dean Anderson). "I love it," he enthuses. "Rick and I didn't really know each other before we began working together on Stargate, but midway through the first season we discovered we had a similar sense of humor. We decided to play with this in the show and, once we saw that it worked, kept it up. The writers picked up on what we were doing and began writing lines for us in the scripts. For me, that's one of the highlights of doing this show. It's great that within the very serious genre of Science Fiction we're still able to poke fun at each other. Sometimes this can lead to a bit of, let's say, antagonism between Daniel and Jack, but I just think that helps further define their relationship."
"Unfortunately, Daniel was starting to relate everything to his quest to find Sha're," explains Shanks. "It got to the point where both myself and the show's writers, and I'm sure the audience to some degree, were saying, 'Oh my God is he going on about this again? He's getting really pathetic and whiny.' We finally decided, OK, we have to poop or get off the pot. Either we get Sha're back and find a way to work her into the show or around her within the show or we just get rid of the character, which is what the writers did. Of course, then the question became, 'Well, now what do we do with Daniel?' With Sha're gone, he no longer had a storyline."
"Luckily, out of Forever and a Day came a new journey for Daniel, which was to find the Harsesis child, who carries all the knowledge of the Goa'uld. The difference with this mission was that it had more of a hate/antagonistic feel to it, do you know what I mean? It allowed me to take my character into a much darker place than in previous seasons, which I spoke of earlier. This resulted in his encounter with the Monk (Terry Chen) in Maternal instinct. He taught Daniel to let go of his hate and how to rediscover the beauty and joy in life. Daniel also realized once he found the child that he had to allow it to be looked after by its guardian Oma Desala (Carla Boudreau), but with the hope that they would one day meet again. It was, I felt, quite a pivotal turning point for him."